Moving from one stage to another, the plants remind us to mark time with rituals, gatherings, and remembering. The change, ushered in by the seasons, is both mundane and magical.
2019 Begins Again
\Back
& /Forth
I’m expecting this turn around the wheel to be completely new and utterly familiar. As I move forward, I draw from my rich well of experience in theater and storytelling for social change!
What are you expecting in 2019?
Photos by Aidan Un, Presented by Intercultural Journeys, 2018.
Directed by: Rania Lee Khalil, Video Art: Gazelle Samizay, Musician/Composer: Alex Shaw
There is a Portal is growing. Thank you to all the partners who helped develop the work and to audiences who engaged with the interactive dialogue.
Now that folks have said “WE WANT THIS” I am building up the foundation so we can offer it to educational and community spaces that serve immigrant/refugee/diaspora youth. We want this to be a vehicle for youth to create and share their own stories and build spaces of belonging.
Contact me to support this effort.
"There Is A Portal is so profound in its vulnerability, its honesty, its way of opening up and out into the community of witnesses." - Audience Member
"Thank you for a wonderful and inspiring performance. It means a lot to me as someone with American/diaspora stories I hold in my body." - Audience Member
"I hope you have the opportunity to share this with the world. I love how the audience is invited to be so present and inside the experience." - Audience Member
Upcoming Events
February 23-24
Two-day Forum Theater Workshop: Explore the technique of Forum Theater.
Participants will learn the basic skills needed to create, perform and lead the Forum Theater format for use in their respective communities. We will explore our bodies as a tool of representing feelings, ideas, and relationships and explore collective solutions to everyday problems.
5th Annual Women’s Conference
March 4, 2019
11:00am, Panel discussion: Teaching As Activism
BMCC Main Campus
Looking Ahead
Halfway to Spring
Plan, Work, Fall
Back from the White House & Cambridge. Fall in NYC
After the whirlwind of fabulousness in D.C. I joined the team of the Anna Deavere Smith Pipeline Project to support the production of Notes from the Field: Doing Time in Education!!
It is an extremely powerful and extraordinarily timely performance. Urgent and inspiring, it depicts the personal accounts of students, parents, teachers and administrators caught in America’s school-to-prison pipeline. Investigating a justice system that pushes minors from poor communities out of the classroom and into incarceration.
Kayhan Goes to the White House
On Wednesday, May 4th the White House is celebrating Asian American and Pacific Islander Artists and Storytellers who've "used unique channels and diverse platforms to tell powerful stories, increase awareness around key AAPI issues, and encourage diversity and inclusion in all sectors of society."
Guess who's going to D.C. next week?!
Muslim Women's Story Lab Info Session
You are invited to a community info session to launch
the Muslim Women's Story Lab!
September 19, 2015
4-6 pm
The Schomburg Center for Research in Black Culture
515 Malcolm X Boulevard @135th Street
https://www.facebook.com/events/460897877422031/
muslimwomestorylab@gmail.com
The Story Lab is a collaborative project using narrative tools and the arts for Muslim women's self-exploration and community engagement. The Lab will build participants' capacity to lead culturally resonant community engagement projects using strategies that harness and reclaim Islam's empowerment of women. More information here!
We hope you will join us and help us spread the word about this exciting new project.
Story Circle March 2014, Women in Islam Event
photo: Argenis Apolonario
In this day and age, the words "story", "community", and "movement" have become buzzwords being used to sell products and to give a sheen of do-good-iness (like Colbert's "truthiness") to all kinds of things. I'm writing more about how to create and build story and art-baseed projects for social justice and what that really looks like from conception to execution, (my book has great examples) but ultimately it has to involve bringing human beings closer together, into close, connected relationships, to build their own power. Art and story can do that extremely well if the project is well thought of and the strategy is clear.
Speaking of everything old becoming new again, my father came over today and brought two large folders stuffed with memories and writings and poems from my childhood. Among them, two items stood out:
1. A certificate for Storytelling from 1987!
2. A certificate for participating in the racial & ethnic harmony poetry contest. It isn't dated but I'm sure it's from the 80s as well.
So there you have it folks, I am a natural born ARTIVIST and have the papers to prove I've been doing this work for almost 30 years! I'd love to hear your thinking on making story and art-based interventions meaningful, concrete, and in the service of human-kind.
Certificates from elementary school showing my trailblazing artivism!
History as Territory
I went to a wonderful talk last night organized by the Grassroots Global Justice Alliance on reclaiming feminisms at the grassroots. The inspirational speaker, Sandra Moran, spoke about planting. The first part of creating something new is developing an idea, planting a seed. To do that, you must reclaim what is yours and decide that territory will be where something new can grow.
Aerial Roots
The famous banyan tree in India has aerial roots. That means small seedlings growing on its branches send down vine-like extensions that upon hitting dirt, take root and anchor the tree. If left unchecked, a single banyan can expand into a maze-like thicket of its own creation. A tree intertwined around another tree, creating shadow trees. I’m living in a similar metaphoric spiral right now. Thoughts shooting straight downward, leading to confusion, leading to pause, leading to insights, leading to growth.
How to value difference?
How do I talk about difference without putting a value judgment on it? If one thing is different than another, must one thing be better than the other? How can I value multiple experiences, approaches and perspectives while keeping a sense of self? Must I choose one as better so that I can hold on to something familiar? This project is different than the rest of my work in Afghanistan. I am not working directly with a theater group, I am working with media makers; writers, producers, researchers from Equal Access, Afghanistan. I am training them in methods of participatory storytelling for community engagement and social change
Friday, Friday
It’s a Friday full of sweetness and sadness for me. I leave in a couple of days and I am spending this lazy Friday visiting friends to say goodbye … until we meet again. Everything about the city seems magical today. The mountains are glowing white, circled by grey clouds. The streets are calm and people are out and about.
I’m Alright … But It’s Not OK
Poetry of Life
Through struggle we bring forth the ripened fruit of a changed tomorrow. We never stand still; motionless as life breezes by. We move in the wind. Sometimes with it, Sometimes against it. Ever changing, we remake our reality. This past week I have been changed by the fortitude, brilliance and endless capacity of Afghan artists.
Working Hard for the Money
Consumed
It’s that time of the year again. Spring is creeping up on us, new shoots are poking up from the ground and festivals of regeneration and re-birth are taking place around the world. In my ancestral part of the world, South and West Asia, the festival of Holi, (celebrated in South Asia) and Norooz (celebrated in West Asia), are coming up this month. Holi is March 8, Norooz is March 20th. Both feature fire, a meditation on righteousness and lots of color.
Back to Basics
Hello Kabul! Hello mountains. Hello kindness. Hello community. Hello learning. Hello growing. Hello change. I feel so full of joy and gratitude to be here and do what I love. It’s been such a busy week and I can’t believe that already I am half way done! I am finding out that being the sole facilitator and workshop coordinator is pretty time consuming but I promise to send more updates.
Crazy, Desperate? Love.
Art imitates life, life imitates art … but what’s the deal with pepper spray at WalMart? It’s the theater of the absurd in overdrive. I sit here next to the pot bellied stove in my guest house, calm and distant. I don’t mind the distance from this facet of life. Though I do remember when I was here in late September, I had such longing to be part of the Occupy movement in NYC. Funny how things change.
We’ve Only Just Begun
I’ve been back in NY for two weeks now and am so pleased that I got to see the last of the fall colors. When I arrived, reds, yellows, browns and greens were still bright and shocking. Now, many of the leaves have fallen – and the colors faded. When I left New York in October Zucotti park had just been occupied and the movement, which seemed to appear from nowhere, bloomed and blazed. In the two months between, something important has begun.
Making Waves
This last week has been filled with performances for NGOs and community spaces throughout Kabul. We often have 2-3 per day which makes for hectic and fun times. So far we’ve performed at schools, orphanages, for the National Police force, a community center for widows and orphans, the Kabul women’s prison, and in the garden of a women’s rights organization.